Innocence in The Catcher in the Rye, by J.D. Salinger Essay

One of the purist times in a person’s life is childhood, during this time life is easy and often romanticized. As a person grows older the innocence and naivety of childhood begins to fade into a hardness caused by the harsh realties of adulthood. Though the transition from childhood is hard, one most remember not to rush into adulthood savor your innocence . In Catcher In the Rye , by J.D. Salinger the main character Holden Caulfield is in the transitional stage, he finds it hard for him to grow-up and act like an adult. So instead of rushing in to adulthood, he finds slowing down the process and acting less adult like is better for him. Holden finds mature adult like subjects and qualities phony, but finds innocent child like subjects†¦show more content†¦But the two youngest members of the family are the main recipients of his praise and joy. When he talked about his brother Allie that passed away it is always good. The quote that sums up his feelings towards Al lies is, â€Å"he was a nice kid.†(Salinger 38) He relies on Allie when he has a problem or needs to think things through. When he was contemplating his leave and walking to give Phoebe her letter he talked to the ghost of Allie. The other sibling is Phoebe, Phoebe seem to be the apple of his eye. When he thought about leaving he only wanted and needed to say good-bye to Phoebe and no one else. The way he talks about D.B. is very different then the way he rants on about his younger siblings, he never talks bad or factious about D.B. he just doesn’t praise him as much. He views D.B. As phony and a Hollywood sellout. In many aspects the siblings are the same the only difference is their age and innocence level. He adores and admires the more innocent younger siblings, while he views the oldest one as being a fake. This just proves that Salinger thinks innocence’s should be captured and cherished. Holden seem to be weird and indifferent when it comes to females an d sexual relationships. He has a made-up sex life when in actuality he has yet to do anything. When the prostitute came to his room he chickens out byShow MoreRelatedThe Innocence of Childhood in The Catcher in the Rye by J.D. Salinger1262 Words   |  6 PagesThe novel â€Å"The Catcher in the Rye† by J.D. Salinger follows the endeavours of Holden Caulfield, a sixteen-year-old teenage boy who faces a point in his life where he must make the transition from childhood to adulthood. In an attempt to retain his own childhood, he begins hoping to stop other young children from growing up and losing their innocence as well. As indicated by the title, â€Å"The Catcher in the Rye† is a book that explores a theme involving the preservation of innocence, especially of childrenRead More Innocence In The Catcher In The Rye by J.D. Salinger Essay examples1412 Words   |  6 Pages In J.D. Salinger’s The Catcher In The Rye, Holden Caulfield, a seventeen-year-old boy, transitions from childhood to adulthood. The death of Holden’s little brother signifies the beginning his loss of innocence and growth of maturity. As he enters adulthood, Holden views society differently from his peers by characterizing most of his peers and adults he meets as â€Å"phonies.† Thus, Holden takes the impossible challenge of preserving the innocence in children because he wants to prevent childrenRead MoreChildhood Innocence is Everything in Catcher in the Rye by J.D. Salinger770 Words   |  4 PagesEveryone’s mother always told them that childhood innocence is the best thing in the world, but for Holden it is the world. When reading The Catcher in the Rye some people disdain Holden, because they think he’s cynical and immature, but really he is a representation of us all. Unlike other books, the protagonist isn’t someone you want to be fr iends with, it’s someone you realize you are. The Catcher in the Rye by J.D. Salinger is Holden’s chronicle of running away from his boarding school and livingRead MorePreserving Innocence in J.D. Salinger ´s The Catcher in the Rye738 Words   |  3 Pagesemotional phase that everyone has to experience. Our innocence is like a mask that blinds us from perceiving life as it really is. As we grow up, we lose our sense of innocence and begin to see the world differently. In the book The Catcher in the Rye by J.D. Salinger, Holden Caulfield is a teenage boy who fears maturity for himself and the children around him. The theme of innocence is found throughout the novel, as Holden struggles to protect the innocence of children from the superficiality and shallownessRead MoreHolden Caulfield ´s Innocence and Purity in The Catcher in the Rye by J.D. Salinger850 Words   |  4 PagesIn a society filled with impureness, Holden Caulfield searches for purity and innocence in everyone around him. Lonely, affectionate, and judgmental, Holden is the narrator and protagonist of The Catcher in the Rye. His actions and the way he acts reveals that Holden is very lonely, and is longing for human companionship. Holden is somewhat mature above his age, but still desires pleasures like any other teenage boy. After meeting people, Holden becomes very judgemental about the way people act.Read MoreCatcher in the Rye vs Frankenstein Novel Study Essay1304 Words   |  6 PagesIndependent Novel Study In today’s world, innocence cannot be preserved forever. As humans age, they lose their innocence due to the corruption that exists in society. This is demonstrated in the two novels, Catcher in the Rye and Frankenstein. The two authors, J.D. Salinger and Mary Shelley prove this statement through their use of various literary devices. Key characters in both novels- Holden and the creature- learn through personal experiences that innocence cannot, in fact, be preserved foreverRead More The Catcher and the Rye / Huckleberry Finn Essay1251 Words   |  6 PagesAmerican Webster’s dictionary defines innocence as, â€Å"Freedom from harmfulness; inoffensiveness.† Although this definition is the one which is most commonly used, many authors tend to twist or stretch the meaning in order to fit the material to which it applies. For example, the way J.D Salinger applies innocence to his work is quite different from the way Mark Twain uses innocence. Innocence also change s accordingly with the time period. The definition of innocence is dynamic with respect to author andRead MoreThe Importance of Censoring in The Catcher in the Rye by J.D. Salinger1145 Words   |  5 PagesJ.D. Salinger was an American author well known for his best seller The Catcher in the Rye, a considerably influential novel that portrayed the feelings of alienation that were experienced by adolescents in North America after World War II (J.D. Salinger Biography). Salinger’s work appeared in many magazines, including a series of short stories which inspired many new authors (J.D. Salinger Biography). His inspiration for Pencey Prep boarding school in The Catcher in the Rye stemmed from hisRead MoreCatcher Rye And Perfect Day For Bananafish1562 Words   |  7 Pages The Catcher in The Rye and Perfect Day For Bananafish In â€Å"The Catcher in the Rye†,by J.D Salinger, Holden Caulfield, a troubled 16 year old boy who constantly gets kicked out of every school takes it upon himself to become â€Å"The Catcher in the Rye†, in reality not being real occupation but an idea he chose to adopt for himself after he heard a little boy singing in the street. The catcher in the Rye can be described in Holden’s perspective as a person, almost like a hero that helps childrenRead More salinger Essay843 Words   |  4 Pages LIFE AND PHILOSOPHY OF J.D. SALINGER J.D. Salinger is one of the most renowned writers of his time. J. D. Salinger is most known for his controversial in the Catcher in the Rye. Salinger is also known for many of his writings such as Franney and Zooey, Nine Stories, and Raise High the Roof Beam, Carpenters. The summer of 1930 he was voted â€Å"The Most Popular Writer†. â€Å"Salinger is a beautifully deft, professional who gives us a chance to catch quick, half-amused, half-frightened glimpses of

How Power Relations Influence The Growth Of The Renewable...

Compare and contrast how power relations influence the growth of the renewable energy industry. Student Name : Student Number : Executive Summary This concise report summarizes the present analysis and important issues and provides better recommendation. In this report I have discussed the short and long term benefits and risks for the renewable energy industry. I have considered public education that allows noise levels and visual amenity to encourage establishment wind farms and other sources of renewable energy. And also a national system of feed-in tariff rates for all forms of renewable and sustainable energy in a policy setting that encourages community power schemes, small and medium businesses, and other†¦show more content†¦Development option 1 The major outlook for this approach is considering increasing public education with proper guidelines that allows noise level and visual amenity to hearten the establishment. The wind farms can be found and other sources of renewable energy like solar thermal and biomass generation, on privately owned land. The report summarized the basis difficulty for the development of solar technologies in base-load power supply. The power can be generated in different places and it’s efficiently distant from the major population centers. Australia’s future renewable energy generation plants are cited in the outback and use solar energy. It’s not strictly a ‘renewable’ energy resource is united heat and power (CHP) technology, which fuel cells should represent an significant part of Australia’s energy future. A very large natural gas resource in Australia is geothermal energy which receives support from the Australian Government’s $500 million. Further people are committed to assist geothermal developers accomplish the high straight exploration costs and drilling. Development option 2 Further it’s considered integrating high-voltage direct-current (HVDC) technology to transmit energy from the renewable energy production sites to cities. It provides the better HVDC system with efficient intercity links to allow for energy exchange as demand varies. The various governments’ initiates the future development of Australia’s

The Tactics Used by the U.S and the N.L.F in the Vietnam...

The Tactics Used by the U.S and the N.L.F in the Vietnam War During the Vietnam War, the United States took a completely different approach than the National Liberation Front (NLF) when it came to tactics. America was more modern in their attacks, using their air force and heavily armed ground troops. Whereas the NLF only had guerrilla fighters, who stayed on the ground and attacked quickly. The first tactic involved the US air force strategically bombing North Vietnamese targets. This included bombing army bases, bridges, railways and factories, even though North Vietnam didnt have many factories to bomb. US panes were flying 164 flying missions a day on average in early 1966. Bombs often†¦show more content†¦They did this by dropping chemical bombs that defoliated the vast amount of trees. This chemical became known as Agent Orange. This now meant that American helicopters were able to spot the enemy more easily. Although Agent Orange worked, it did effect the Vietnamese people. One effect of this chemical was that it caused cancer amongst those who used it or were affected it. It also had an effect on pregnant woman who ended up giving birth to seriously deformed children or stillborns. The war also had many psychological effects. The North Vietnamese used this as propaganda against the Americans, suggesting that they had done it deliberately to harm innocent people. But aside from this, the Americans were still struggling to have a clear view of the enemy. Because of this, they introduced another chemical bomb - Napalm. Napalm is a thick liquid, which usually contains petrol and is used in firebombs and flame-throwers. It cleared the undergrowth, which gave the US more chance of being able to spot the Vietcong from the air. Although, there was one major problem. Napalm also sticks to human skin, and gradually burns away the flesh. The Americans simply dropped it on forest, possibly forgetting that innocent peoples lives were at risk. Unsurprisingly, people were hurt- killed. In December 1966, the North Vietnamese finally permitted an American journalist to visit

Representation of Women in Cinema Essay Sample free essay sample

The individuality of a individual is unstable and constituted by political orientations stemming from many setups. One such setup is cinema. Political orientations emanating from it subsume us consciously or unconsciously. This assignment will highlight the function of film in the building of female. feminine and womens rightist. Since the start of film in 1896. the functions work forces and adult females play in movies have been subjected to a uninterrupted rating. mostly due to their widely acknowledged and felt influence on our manners of life. The stereotyped representation of adult females has been displayed in film for many decennaries. The representation. either it is through film or through texts. takes into history a broad assortment of cultural phenomena. philosophical positions. and ideological setups which try to concatenation the individuality of a peculiar individual in hobbles. Griselda Pollock argues that we should non stay content merely with the cultural representat ions of gender as images of adult females. She rejects the imagination of gender and cultural stereotyping because it fails to explicate the failure of inversion or reversal of recognized imagination. This is non merely because the representation of adult females is linked to a broader concatenation. or system. of meaning. It besides occurs because representation is linked to a historically constituted world. To set it merely. we can understand why female theoretical accounts ought to be more persuasive to male clients than frailty versa merely if we take into history. a anterior commodification of a woman’s organic structure. In the epoch of 1970’s and 80’s as it has continued since the start of film. the functions of adult females in the Indian movies were functioning fundamentally to men’s desires. By back uping this statement Lopa Bhattarchya says in her essay â€Å"The Changing Face of Women in Indian Cinema† that the 70’s. 80’s and 90’s witnessed a terrible degeneracy in the portraiture of the heroine in mainstream Indian film. Further. she argues that it was so that the female supporter was reduced to heroine. implying the image of mere glamour-dolls. dancing around trees with heroes and executing cabaret Numberss. This manner. she was projected as a show-piece or in other words. as a feel good touch to the movie. instead than being a flesh and blood human being in her ain right. Rarely will a individual deny that the Bollywood screenland has been basically male-centric. go forthing small infinite for the female opposite numbers to germinate and turn as various performing artists. The functions they played were largely of the Sati savitri mold. missing assortment and deepness of female mind. The political relations behind the appropriation of representation is to organize a fix individuality of adult females but in the defence of it critics argue that by portraying a individual in his /her conventional image or a group of people with identifiable features. film makers present the characters with which viewing audiences can easy acknowledge and associate to. Critics argue that movie mirrors the society and its values but the major concern here is that it non merely portrays but besides determines and supports certain value systems at the cost of excepting certain others. Through the movies an creative person shows attitudes and behaviors of a individual and th ereby configures a manner of life that is considered ideal. The representation of adult female with her feminity is a really tragic thing. A girl kid follows the order of her male parent or elder brother and after acquiring married she follows the order of her hubby. such function is romanticized and idealized in a manner that occupies the head of most of the people and forces a miss kid to follow those things volitionally or unwillingly which barely affairs. When a female character does non conform to the imposed individuality of an ideal adult female. she is portrayed as an evil-spirit. Masculinity is portrayed as natural and given despite assorted societal incompatibilities of the male function in society. An ideal adult female in the 1950ss was expected to be the ultimate housewife. Films still perpetuate established gender functions because they reflect the dominant patriarchal ideals. efficaciously reenforcing the internalisation of male constructed functions. In the capitalistic epoch. the sea alteration in the socio-economic and political construction transformed the head of the creative persons and they stopped stand foring adult females as meek and submissive. However. the gender functions in modern popular film contrast significantly to traditional functions. as society is acknowledging the importance of female emancipation. They present a new individuality of adult females. seeking to re-figure the feminity in popular film. In such movies new subjectivenesss of adult females are being fashioned. this being possibly a cardinal component in their successful entreaty to younger coevals. In the same mention. Tejswani Niranjana contends in her essay â€Å"Nationalism Refigured: Contemporary South Indian Cinema and the Subject of Feminism† that this new feminity holds the promise of a modernness without the hazards of feminism or feminist political relations. which are often ridiculed in the media. and sometimes vilified as imitativ e of western aberrances. The function of Geetanjali. a character in the film called Geetanjali who has been portrayed as dare and aggressive adult female. manifests a woman’s high liquors and sense of temper which was losing in the older film. It is non merely a displacement and new tendency. which is building new individuality of a adult female in popular film but besides attacks the colored political orientations and representations. In many south Indian movies. the urban strain heroines are progressively bedecked in north Indian cultural fabrics. Niranjana argues that alternatively of being through her apparels ( lehnga-chunari or saree ) the carrier of regional specificity. the movie heroine is now marked as Indian like present twenty-four hours urban immature adult female themselves. through her Rajasthani-Gujarati dress. The ocular imagination provided by mass media for our private phantasies therefore include images of the new adult female. In a perceptive essay â€Å"Beaming Messages to the n ation† . Ashish Rajadhyaksha discusses the urges behind what he classes as the new definition of indigenism. Rajadhyaksha suggests that since geographically defined regional individualities are closely linked to geographically defined markets. the internalisation of markets evidently demands the formation of new individualities. Mass media. particularly Television and popular film. have contributed in of import ways to the imagination of new indigenism. an indigenism that takes up elements from diverse and anthropologised common people traditions and unite them into an reliable and dateless Indian. There is no uncertainty that the representation of adult female has changed but tragically plenty. feminity is still being attached with modernness. In other words film makers are stand foring them as a ‘new woman’ but the job of domesticity must be taken attention of. Their insouciant apparels and self-generated gesture represent them as liberated but transporting at the same time a dual load. For illustration in the film Roja. we see Roja. adult female character of the film scripte d in assorted functions e. g. sometimes being accompanied by her younger sister. driving a tractor. playing buffooneries upon the old villagers. dressing up in men’s apparels. have oning a graduate’s convocation robes. or running through Fieldss and treading the deep-rooted seedlings. It decidedly represents the function of a new adult female but at the same clip after acquiring married Roja serves to her hubby and therefore inking the function of a submissive homemaker. The early liberty and assertiveness shown by Roja before matrimony all but disappears in the sober adult female who attempts to win back her husband’s life. and whose bureau really comes to naught. So the adult females still do non relieve from prolonging the image of strictly feminine. Geeta and Roja like adult females whose articulation has been made possible by the women’s motion which has created a certain infinite for adult females and helped them convey a new visibleness. although they are recuperated into the very spectacularization that some womens rightists might dispute. Interestingly Niranjana points out that Roja’s high liquors. like Geetanjali’s. look to be made possible by the freedom of the heroine from existent work so that their assertiveness is non a portion of their interaction in a state of affairs at workplace. What she besides says is that earlier commercial film excessively portrayed the frolicking heroines as exempted from the irres istible impulses of mundane life. This freedom from work helps in incorporating the heroines’ assertiveness. featherbeding her to look cunning and attractive instead than endangering. After analysing the function of film. how does it represents the individuality of a peculiar individual. or the representation of peculiar civilization or ethnicity. there would non be any uncertainty by doing the point that it constitutes the subjectiveness of a individual and concepts political orientations. It would non be an unfairness to claim that it supports helps in prolonging the hierarchies constructed by patriarchate. Bibliography Bhattarchya. Lopa. â€Å"The Changing Faces of Women in Indian Cinema. † Madhava Prasad â€Å"The Aesthetic of Mobilization† in Ideology of the Hindi Film: A Historical Construction. Barret. Michele. Women’s Oppression Today: The Marxist/Feminist Encounter. London: Verso. 1980. Niranjana. Tejswani. â€Å"The Subject of Feminism: South Indian Cinema. † Pollock. Griselda. Vision and Difference: Femininity. Feminism. and Histories of Art. London: Routledge. New York Methuen. 1987 Print. Rajadhyaksha. Ashish. â€Å"Beaming Messages Goes to the Nation† . Journal of Arts and Ideas no. 19 ( 1990 )